Samford Through the Oaks

Signed and numbered limited-edition fine art photography, available on fine art paper or metal.

Print & Size Guide

Fine Art Paper
Professionally printed on archival fine art paper. Smaller prints arrive matted in standard frame sizes:

4×6 print → 5×7 mat
5×7 print → 8×10 mat
8×10 or 8×12 print → 11×14 mat

Larger fine art paper prints are sold unmatted and are ready for your choice of framing.

Metal Prints
Printed directly on aluminum for a vibrant, contemporary presentation. Metal prints arrive ready to hang and appear to float away from the wall.

Choosing a Size
The size shown in the selector refers to the photograph itself, not the outside dimensions of the mat. Select a size and finish above to see the options available for this photograph.

Fine Art Paper: 4x6 prints are matted to 5x7, 5x7 prints to 8x10, and 8x10/8x12 prints to 11x14. Larger paper prints are unmatted. Metal prints arrive ready to hang.

About the Limited Edition

Every Spiral View Photography print is part of a signed and numbered limited edition. Edition sizes vary depending on the print size and format.

Each print is personally signed and individually numbered. The signature and edition number are placed on the mat or on the back of the print, never across the photograph itself, so the image remains completely unobstructed.

Once an edition sells out, no additional prints from that edition will be produced.

Shipping, Returns & Cancellations

Shipping
Orders are processed as soon as possible after purchase. Most orders arrive within two weeks, although larger or custom orders may require additional time.

Cancellations
Orders may be cancelled before production begins. Because each piece is made to order, orders cannot be cancelled once production has started. Please contact us as soon as possible if you need to cancel.

Returns & Damaged Orders
Because each piece is made to order, all sales are final. If your print arrives damaged or has a manufacturing defect, contact us within 7 days of delivery with photos of the issue and we'll arrange a replacement or refund at no cost to you.

Please see our full Refund Policy for complete terms and exceptions.

Samford Hall's clock tower emerges through a break in Auburn's mature oak canopy at the close of a Southern evening, its deep red Victorian Romanesque brick warming further in the peach and coral tones of the fading sky while illuminated lamp posts along the winding brick plaza path below begin to take over from the day's retreating light. The composition frames the tower as a discovery rather than a declaration, the dense summer foliage parting just enough to reveal the clock face and pointed steeple above while the curving pathway, empty benches, and quiet campus grounds below invite a long, unhurried look at a building that has anchored this campus since 1888. It is the kind of image that makes you feel the temperature and hear the cicadas.

This version of Samford Hall earns its own distinct place alongside the entrance sign shot by offering something entirely different — intimacy over grandeur, discovery over presentation. The warm palette of brick, lamplight, and dusk sky gives it a timeless, almost painterly quality that works beautifully as a standalone piece and equally well as part of a larger Auburn collection on the wall.